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Hi everyone, and welcome to Vocal Arts, the podcast that explores the world of professional voice artists. My name is Peter Barber, and I’ll be your guide along this path of vocal performance. I’m primarily a professional opera singer, music producer, and bass vocalist. Over the course of my career, I’ve trained and performed with world-class singers. I’ve learned all about the physiology and function of the human voice from leading voice scientists. I started a successful group of four bass singers called The Bass Gang, and I’ve grown my YouTube audience from 0 to over 250,000 subscribers via musical analysis videos. Beyond that, I currently sing opera professionally as a Studio Artist with Arizona Opera. I’ve performed in basically every genre from EDM to chamber choir, and with an undergrad major in audio engineering, I can comfortably bridge the gap between live performance and studio recordings, from the grandiose space of a 3000-seat opera house to the intimate, sound-proof booths used in voiceover. But perhaps most importantly, I’m an artist, fascinated by the various careers in vocal performance, and inspired to learn more about them from the best and brightest vocal talent the world has to offer. Thank you so much for joining me on this journey, and no matter what your involvement is within the world of vocal arts, I hope that here, on this podcast, you can both learn something and enjoy. This is Peter Barber, and I’ll see you next time on Vocal Arts.
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Simone Simons is the lead singer for symphonic metal group, Epica, that just released their 9th studio album, Aspiral. The album title is derived from the eponymous bronze sculpture made by Polish sculptor and painter Stanisław Szukalski back in 1965. It stands for renewal and inspiration – keywords that define Epica in 2025. In Szukalski’s work every detail is a piece of art on its own and there’s always more to the story than you initially think. The band saw this as the perfect analogy for the creation of this album: each song stands on its own with a distinctive vibe and meaning, while together they enforce each other into a monumental effort.
At the same time this symbolizes EPICA’s group dynamic throughout this process: they have encouraged, inspired, and challenged each other repeatedly. Determined to achieve something that is greater than the sum of its parts, they left no stone unturned in their search for perfection. If it’s up to creative people to push boundaries, then this sextet sure did just that.
When the band was preparing to write a new album, they kept this in mind: to create, you must destroy. As mentioned earlier, this meant destroying the individual ego and create as a unity. You’ll hear that this made the album even more personal and to the point. More alive and adventurous. But it also made EPICA destroy old underlying patterns to re-invent themselves and to create a bold new era for symphonic metal in general. The band felt the immense urge to focus on what really matters: emotions and melodies. In all capacities.
As the new album is all about focus, the band asked contemporary sculptor Hedi Xandt (Rammstein, Ghost, Parkway Drive) to set all this into a stunning visual representation. It’s a bold statement and a homage all in one. If the number 9 represents divinity, perfection, and spiritual growth, then this album is the modern interpretation of just that. Musically, lyrically, and visually.
Breathe in, breathe out, 2025 belongs to EPICA.
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